Showing posts with label Adelaide. Show all posts
Showing posts with label Adelaide. Show all posts

Fashion Avenue 2012, Adelaide

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In a sea of trustworthy designs focused on high profit margins and fast production turnaround, the truly inspired artists stand out. So it's easy to see why of the interstate designers brought to Fashion Avenue 2012, Camilla was a clear highlight. Her firework of a collection added Sydney sheen to a Brazilian flamboyance, mixing boomerang necklaces with bright feathers and prints. You didn't know where to start looking, not because everything was wrong, but because it was so perfect.

Joining Camilla on the print path were Lisa Ho and Gorman, with fun but wearable pieces currently available in stores. Meanwhile Alannah Hill and Alex Perry, who can usually be trusted for beautiful - albeit frou frou - frocks, seemed to dampen their ranges for the Adelaide market. Lucette, Joveeba and Tigerlily didn't break any ground, although Tigerlily included some high-waisted bikinis I couldn't help but appreciate. (I've previously declared my love for the navel hiders.)

Click through to facebook to see the full galleries.

Siobhan O'Keefe at Fashion Avenue 2012Adele Snowball in Lisa Ho at Fashion Avenue 2012

Gorman at Fashion Avenue 2012Holly Watson in Lucette at Fashion Avenue 2012

Joveeba at Fashion Avenue 2012Tigerlily at Fashion Avenue 2012

Megan Ford closes Alex Perry at Fashion Avenue 2012Camilla, Fashion Avenue 2012

Holly Watson in Camilla at Fashion Avenue 2012Fashion Avenue 2012 Adelaide Camilla at Fashion Avenue 2012

Chanelle
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Adelaide's own Jaimie Sortino on A Night of Fashion at the Art Gallery

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Jaimie Sortino
It's taken more than a year to prepare, but Adelaide's couture dressmaker Jaimie Sortino is finally ready for what he says is his biggest parade ever. For the first time, he'll show alongside a glittering array of local and national designers, including Carla Zampatti and Willow at A Night of Fashion at the Art Gallery. Not only that, but he'll be among the first designers to ever show in the Elder wing of the Art Gallery of South Australia. But the 23-year-old says there are no nerves.

"It's more exciting (than nerve-racking)," he says. "I've always wanted to show at the art gallery."
"When I found out it was here (at the gallery) it made me ten times happier."

Jaimie Sortino at the Art Gallery of South Australia
The grand architecture of the gallery has informed the 15 designs Sortino will be releasing for the first time at the event.
"I came here for inspiration and it's kind of a view of soft white romantic Paris," he says.
"I automatically just thought of floaty, elegant, big, and something white just came to me and I ran with white the whole way through.

The gowns, which are all white, comprise Sortino's only collection for the year.
"I try not to go towards seasons, only because I don't like the words spring/summer/winter/autumn," he says, adding that the pressure of seasonal production can be too much for a single dressmaker. "A lot of people think there are other people working on it, but it's just me working on it."

Sortino says he's learnt from previous mistakes, dropping perceived pretension by producing a collection that is more wearable.
"I definitely like to tell a story with my fashion but I've edited it not to be so literal," he says.
"And that's where I think I got lost last year; I just got very literal in what I wanted to do, and (this year) I just went away and really edited myself.
"(Now) I've found a really good balance between making wearable art and making something that also appeals to the customer who has to buy it, and I really listened to the people that wear my stuff.
"I'm excited to see them on the runway, because they've just been sitting on my mannequins for the last year and a half."
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To be among the exclusive crowd who will view the designs on the runway at the art gallery, you can purchase tickets here. Other designers showing on the night include Bianca Spender, Willow, Carla Zampatti, Scanlan and Theodore, Couture + Love + Madness, Paolo Sebastian, with curated collections from Claire Inc and The New Guard. Tickets include pre-show cocktails and after-party access.

Behind the seams with Keepsake's Carmen Dugan

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carmen dugan 

The first time I meet Keepsake designer Carmen Dugan, it's at a grungy bar in what used to be a two-storey house.

"You should meet Carmen; she's a designer," somebody says.

I ask her about her label, but Destiny's Child is blasting through the speakers, and conversations  are always a second priority in the presence of Beyonce. What did you say your label was called again? Never mind. We dance.

Later I realised she was the head designer at Adelaide's own Keepsake. If you're a young woman in Australia and not familiar with Keepsake, you'd certainly know of its sister labels at head company Australian Fashion Labels, Finders Keepers and Cameo. Heck, it's stocked worldwide, and everyone from Hayden Panettiere to Nicole Richie, Nicky Hilton and the Kardashians have been papped wearing the label's dresses. That's more than most 23-year-old designers could say about their work - and probably more than any designer based in Adelaide.

"I was just very lucky," Dugan says, adding that she didn't expect to be able to stay in Adelaide. "Even our TAFE lecturers told us, 'you're probably going to have to move.'"

Indeed, many of her graduating class of 2009 had to move interstate in pursuit of success, or leave the business. Even Dugan's co-designer at her former label had to give up design, and now works in fashion retail. Widely considered among the most promising young designers in Adelaide at the time, Dugan and her friend Kayla Bath formed Frankie & Bath in their final year at TAFE. The duo was placed beside labels as big as Ellery, Alexis George and Bowie at local trade shows, their reputation quickly snowballing. But it wasn't long before the label was put on the shelf, and Bath hasn't released anything since. Adelaide's tough conditions serve to magnify Dugan's success. 

Dugan had already been working for Australian Fashion Labels when the company's design director Melanie Flintoft formed Keepsake to hit the trendy formal wear market at a low price point. 

"It started off as an admin job and then I just kind of moved up," she says. "I have a general brief of what needs to be arranged each month and the type of customer that is."

Carmen DuganAfter about ten months of behind-the-scenes work, the label's first collection was released in October 2011 and has only grown since.

"So far the collections that have been seen at retail - the brand's changed so much from even that. So the range that's in store now is still early days."

With 90 per cent creative control over the label, the designer can hint at what we can expect from the brand's November drop, whose lookbook was photographed last week.

"I'm starting to do exclusive prints each month, which is really exciting. We've got some quite thick jacquard fabrics and some rose gold sequins and a lot of beading."

The label drops 28 garments every month but December - 308 garments a year - so it's a wonder she can even remember what's in the November drop, which she started designing in January.

"We're working on probably three different ranges at a time at different stages of the range. For example, at the moment I'm designing April 2013 and then Tuesday I'm shooting for November this year, and then I'll also be working on fittings for January, and so there's a lot going on."

So how much time is actually spent putting pen to paper for a fast fashion designer?

"You don't get a lot of time really dedicated to it," says Dugan. "Unfortunately we just have to get the designs out. But I try to spend as much time as possible (designing) because it's the most important time, really."

With so many dresses, Dugan says she doesn't always recognise her work when girls wear Keepsake on the streets. But when she does, surely it must be difficult not to criticise the way the dresses are worn if they aren't styled the way she had originally envisioned? Dugan is more gracious than I: "That's the risk you take putting it out there. No one's going to wear it exactly how you would wear it, so you just have to take it as it is."

Fortunately for Dugan, there'll be no questionable styling on Saturday, September 1 when she shows the upcoming Keepsake collection at Fashion Avenue in the Queen's Theatre in Adelaide. The label will be flanked by local and national designers including Porcelain, Alannah Hill, Gorman, Alex Perry, Lisa Ho, Morrison, and more. Tickets are from $60 and available online.

*****
I wanted to show you a couple of Dugan's designs from her most recent collection, so I took a couple of quick snaps for you. Initially I was really intimidated by what seemed to be Lilliputian waist sizes, but they're actually extremely flattering, comfortable and right on the standard size.

Below: Keepsake's Have It All dress, $99 and Good Intent dress, $139 (both gifted), available from new Australian online boutique Freez. There's an extensive bargain section with plenty of dresses under $30, so it's well worth a look.

keepsake dresses

The Loft Upstairs lookbook

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The Loft Upstairs The Loft UpstairsThe Loft Upstairs The Loft UpstairsThe Loft Upstairs The Loft Upstairs
All clothes from The Loft Upstairs
Styling: Lael Woodham
Hair and makeup: Christina Barbaro and Becki Mounsey
Model: Harriet, unsigned

The mezzanine in Adelaide Arcade is really coming to life, what with several adorable boutiques having opened there in the past few months. One of those stores you might recognise as previously living in North Adelaide: The Loft Upstairs. What I love about the vintage and consignment boutique is that its clothes don't have that awkward, stuffy look that you find haunting many popular vintage stores - and its consignment section is a melange of new and vintage designer picks. So it's no surprise that I was thrilled to shoot their lookbook, and even more thrilled to shoot new face Harriet Wakefield. The 16-year-old natural beauty has a Blake Lively-esque face, and believe it or not, this was her first time in front of the lens. More photos on Facebook.

Chanelle
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Branding shoot | The Bowerbird Room

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bunting and balloons cute party strawsteddy party cookie cutter sandwiches Kids party styling Fruit skewers

A rare rainy day in Adelaide didn't stop young entrepreneur Kirstin Cooper from setting up a fun picnic for her first branding shoot. She's in the process of launching her event styling business The Bowerbird Room - sounds pretty cute if you ask me! More photos on my facebook album.

Chanelle
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Westfield autumn/winter parades

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_MG_2842 (2)_MG_2796 (2)_MG_2546 (2)_MG_2676 (2)_MG_2439 (2)_MG_2462 (2)_MG_2683 (2)_MG_2418 (2)

For the record, kid that kept putting your hand in front of my camera, YOU WEREN'T FUNNY.

If you haven't entered the competition for FREE Wish clothing (!!), now's your chance.

Chanelle
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Life is picnics

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PicnicChristmas dinner

I get it already, you say as you idly browse what must be at least the fourth post in the last six months filled with picnic photos. You like picnics. Whatever. 

Do I sense the bitter undertones of jealousy? Yes, yes I believe I do. Because you so wish you were so recklessly blessed with the bounty of wonderful individuals I am grateful to call friends.

Because when my family was nowhere to be found, my friends had dinner on the balcony on Christmas day. And when life was idyllic, we celebrated as one on a hill overlooking the city. Life undulates, but picnics remain the same.

My sister lives by this saying, life is people. If so, then I wouldn't have a life without picnics.

Chanelle 
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kissed the Boy

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the ring hand on your heart


This is what I want you to wear, you said. You always knew exactly what you wanted.

I took in the purple dress and corduroy trousers and nodded vigorously.

But what if they don't have it in the store by then? I screwed up my little nose and silently approved of my forward thinking.

We can buy it now just in case!

But you were seven, and I was six, and Pumpkin Patch might as well have been Prada. We determined to save.

And then you moved to Germany, just like that. What's a ten-year-old to do when her best friend is on the other side of the world? I cried.

About three years later, you moved back, and your mind was fertile with life and ideas and initiative. I was naive, home-schooled, sheltered. You had boyfriends, and I couldn't relate. They were scary.

Seven years on, and we caught up for coffee. I found out you would be marrying a boy. The Boy we had spent hours dreaming about. As little girls we had talked about what he would look like, how he would dress, where you would live, how many kids you wanted.

Three days ago, I stood in a paddock next to your house and watched a ceremony that confirmed the death of our childhoods.

I sat on the very seat where we planned the event fourteen years ago. I stood on the steps where you told me about Sex and I thought you were telling me an extravagant fib. (That's disgusting! Nobody would ever do that.) The trampoline where you taught me about French kissing is gone.

Watching you marry Boy was just as heartbreaking as it was beautiful. I didn't mean to become an adult. I didn't mean to leave those dreams behind. I didn't mean to let titles body paperwork degrees busy taken jealous facebook mine woman money cool leaving define me.

I hope you're as happy as you said you would be.

Do you still want 10 children?


up the staircase flower girl the grand kiss

testing one two

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street artAdelaide model Adelaide shops Adelaide photography studio vintage basketball fashiongraffiti fashion shoot
Hair/makeup: Amanda Grace Nash | Model: Helen | Styling/photography/post-processing: Chanelle Leslie


Topshop sheer dress (for sale; comment if you're keen) over vintage red dress, Doc Marten boots | Sportsgirl hoodie, Asos bra, 18th Amendment flares | Vintage basketball top, Free People belt, vintage skirt

Did a quick test with new face Helen not too long ago, and was very pleased with the results. I didn't have my favourite lens (Canon 28mm f/1.8 USM) with me on the day and had to make do with my $135 (spare change in the photography world) 50mm f/1.8, but that goes to show you don't always need a flashy kit for good images. Hell, I checked on eBay the other day and my camera is going for as little as  $300.

Chanelle
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